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Friday, 20 December 2013

Valentine Poetry Love http://poetrylovesmsimages.blogspot.com/

Poetry About Lost Love http://poetrylovesmsimages.blogspot.com/

Poetry About Lost Love Biography

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He received some of his education in France, and in 1866 entered Queen's College, Oxford. Having read considerably and widely, Dowson left without obtaining a degree. He went to London where he joined the literary circle of Aubrey Beardsley, Oscar Wilde, and their friends. He was also one of the Rhymers' Club and contributed to The Books of the Rhymers' Club (1892 and 1894), The Yellow Book and The Savoy. In 1891 he met 'Missie' Adelaide Foltinowicz, a twelve-year-old who later became a key image of innocence and lost love in his poetry.

In September 1891 he converted to Roman Catholicism, which is reflected in his devotional poetry, such as 'Nuns of the Perpetual Adoration' and 'Carthusians'. These were his most successful poems. His father died in 1894 having suffered from advanced tuberculosis. Within months of his death, Dowson's mother hanged herself. A number of stories called Dilemas appeared in 1895. After this, Dowson travelled between London, France and Ireland, drinking heavily. He published the first of his two books of poetry, Verses, in 1896, which included the acclaimed 'Non Sum Qualis Eram' or 'Cynara', and the second, Decorations in Verse and Prose in 1899. His one-act verse play, The Pierrot of the Minute came out in 1897. In addition, he translated Voltaire, Zola and Balzac. Amongst his verse which celebrates nature is 'Breton Afternoon', and the poems representing weariness and the monotony of life include 'Vitae Summa Brevis' and 'To One in Bedlam'.

Robert Sherard one day found Dowson almost penniless in a wine bar and took him back to the cottage in Catford where he was himself living. Dowson spent the last six weeks of his life at Sherard's cottage and died there of alcoholism at the age of 32. He is buried in the Roman Catholic section of nearby Brockley and Ladywell Cemeteries.

In anticipation of the anniversary of Dowson's birth on August 2, 2010, his grave, which had fallen derelict and been victimized by vandalism, was restored. The unveiling and memorial service were publicised in the local (South London Press) and national (BBC Radio 4 and the Times Literary Supplement) British press, and dozens paid posthumous tribute to the poet 110 years after his death.

Works

Dowson is best remembered for some vivid phrases, such as "days of wine and roses" from his poem "Vitae Summa Brevis" (1896), which appears in the stanza:

They are not long, the days of wine and roses:
Out of a misty dream
Our path emerges for a while, then closes
Within a dream.
and "gone with the wind", from Non Sum Qualis eram Bonae Sub Regno Cynarae, the third stanza of which reads:
I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long:
I have been faithful to thee, Cynara! in my fashion.

The last line of this stanza, the last line of all four stanzas of the poem, was the inspiration for the song title "Always True to You in My Fashion" from Kiss Me, Kate by Cole Porter.

In her words, it was the "far away, faintly sad sound I wanted" of the third stanza's first line that inspired Margaret Mitchell to call her only novel Gone with the Wind.
He provides the earliest use of the word soccer in written language in the Oxford English Dictionary (although he spells it socca, presumably because it did not yet have a standard written form).

His prose works include the short stories collected as Dilemmas (1895), and the two novels A Comedy of Masks and Adrian Rome (each co-written with Arthur Moore). Some of his short prose was first published in the journal The Yellow Book

Ernest Christopher Dowson's Works:

Ernest Dowson, The Stories of Ernest Dowson, ed. by Mark Longaker (Philadelphia: University of Pennsylvania Press, 1947)
Ernest Dowson, The Poems of Ernest Dowson, ed. by Mark Longaker (Philadelphia: University of Pennsylvania Press, 1962)
Ernest Dowson, The Letters of Ernest Dowson, ed. by Desmond Flower and Henry Maas (London: Cassell, 1967)
Ernest Dowson, The Poetry of Ernest Dowson, ed. by Desmond Flower (Cranbury, NJ: Fairleigh Dickinson University Press, 1970)

Poetry About Lost Love http://poetrylovesmsimages.blogspot.com/

Poetry About Lost Love http://poetrylovesmsimages.blogspot.com/

Poetry About Lost Love http://poetrylovesmsimages.blogspot.com/

Thursday, 19 December 2013

English Poetry Love http://poetrylovesmsimages.blogspot.com/

English Poetry Love Biography

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BOOKS

    Poems (London: Printed for C. & J. Ollier, 1817).
    Endymion: A Poetic Romance (London: Printed for Taylor & Hessey, 1818).
    Lamia, Isabella, The Eve of St. Agnes, and Other Poems (London: Printed for Taylor & Hessey, 1820).

COLLECTIONS

    The Poetical Works of Coleridge, Shelley, and Keats (Paris: A. & W. Galignani, 1829; Philadelphia: Stereotyped by J. Howe, 1831).
    The Poetical Works of John Keats, Smith's Standard Library (London: William Smith, 1840).
    The Poetical Works of John Keats (New York: Wiley & Putnam, 1846).
    Life, Letters, and Literary Remains of John Keats, edited by Richard Monckton Milnes, Lord Houghton (London: Moxon, 1848; Philadelphia, Putnam, 1848).
    The Poems of John Keats, edited by Jack Stillinger (Cambridge, Mass.: Belknap Press of Harvard University Press, 1978).

LETTERS

    The Letters of John Keats, 2 volumes, edited by Hyder Edward Rollins (Cambridge, Mass.: Harvard University Press, 1958).
    Letters of John Keats: A New Selection, edited by Robert Gittings (London, Oxford, & New York: Oxford University Press, 1970).

The greatest collection of Keats letters, manuscripts, and related papers is in the Houghton Library, Harvard. Some holographs and other materials will be found at the British Library; Keats House, Hampstead; Keats-Shelley Memorial House, Rome; and the Morgan Library.
Further Reading

    J.R. MacGillivray, Keats: A Bibliography and Reference Guide (Toronto: University of Toronto Press, 1949).
    David Bonnell Green and Edwin Graves Wilson, eds., Keats, Shelley, Byron, Hunt, and Their Circles: A Bibliography, July 1, 1950-June 30, 1962 (Lincoln: University of Nebraska Press, 1964).
    A. C. Elkins and L.J. Forstner, The Romantic Movement Bibliography, 1936-1970, 7 volumes (Ann Arbor, Mich.: Pierian Press, 1973).
    Robert A. Hartley, ed., Keats, Shelley, Byron, Hunt, and Their Circles: A Bibliography, July 1, 1962-December 31, 1974 (Lincoln: University of Nebraska Press, 1978).
    David Erdman, The Romantic Movement: A Selective and Critical Bibliography, 10 volumes to date (New York: Garland, 1980-).
    James Wright Rhodes, Keats's Major Odes: An Annotated Bibliography of the Criticism (Westport, Conn., & London: Greenwood Press, 1984).
    Jack Stillinger, "Keats," in The English Romantic Poets: A Review of Research and Criticism, edited by Frank Jordan, fourth edition (New York: MLA, 1985).
    Leigh Hunt, Lord Byron and Some of His Contemporaries, 2 volumes (London: Colburn, 1828).
    Richard Monckton Milnes, Lord Houghton, Biography of Keats, in Life, Letters, and Literary Remains of John Keats, edited by Milnes (London: Moxon, 1848; Philadelphia: Putnam, 1848).
    Mary and Charles Cowden Clarke, "Keats," in Recollections of Writers (London: Sampson Low / New York: Scribners, 1878).
    Sidney Colvin, John Keats: His Life and Poetry ... (London: Macmillan / New York: Scribners, 1917).
    Amy Lowell, John Keats (New York & Boston: Houghton-Mifflin, 1925).
    Aileen Ward, John Keats: The Making of a Poet (New York: Viking, 1963).
    Walter Jackson Bate, John Keats (Cambridge, Mass.: Harvard University Press, 1963; revised edition, New York: Oxford University Press, 1966; revised again, Cambridge, Mass.: Harvard University Press, 1979; London: Chatto & Windus, 1979).
    Hyder Edward Rollins, ed., The Keats Circle: Letters and Papers and More Letters and Papers of the Keats Circle, revised edition, 2 volumes (Cambridge, Mass.: Harvard University Press, 1965).
    Robert Gittings, John Keats (Boston: Little, Brown, 1968).
    Walter Jackson Bate, ed., Keats: A Collection of Critical Essays (Englewood Cliffs, N.J.: Prentice Hall, 1964).
    Douglas Bush, John Keats: His Life and Writings (New York: Macmillan, 1966).
    Morris Dickstein, Keats and His Poetry: A Study in Development (Chicago: University of Chicago Press, 1971).
    Walter Evert, Aesthetic and Myth in the Poetry of Keats (Princeton: Princeton University Press, 1965).
    Claude Lee Finney, Evolution of Keats's Poetry, 2 volumes (Cambridge, Mass.: Harvard University Press, 1936).
    Newell F. Ford, The Prefigurative Imagination of John Keats, Stanford Studies in Language and Literature (Stanford: Stanford University Press, 1951).
    G. S. Fraser, ed., John Keats: The Odes: A Casebook, (London: Macmillan, 1971).
    John Spencer Hill, ed., John Keats: The Narrative Poems: A Casebook (London: Macmillan, 1983).
    John Jones, John Keats's Dream of Truth (London: Chatto & Windus, 1969).
    Marjorie Levinson, Keats's Life of Allegory (Oxford: Blackwell, 1988).
    G.M. Matthews, ed., Keats: The Critical Heritage (New York: Barnes & Noble, 1971).
    Kenneth Muir, ed., John Keats: A Reassessment (Liverpool: Liverpool University Press, 1958).
    Charles Patterson, Jr., The Daemonic in the Poetry of John Keats (Urbana: University of Illinois Press, 1970).
    David Perkins, The Quest for Permanence: The Symbolism of Wordsworth, Shelley, and Keats (Cambridge, Mass.: Harvard University Press, 1959).
    Tilottama Rajan, Dark Interpreter: The Discourse of Romanticism (Ithaca, N.Y.: Cornell University Press, 1980).
    Christopher Ricks, Keats and Embarrassment (Oxford: Clarendon Press, 1974).
    H. R. Ridley, Keats's Craftsmanship: A Study in Poetic Development (Oxford: Clarendon Press, 1933).
    David Simpson, Irony and Authority in Romantic Poetry (London: Macmillan, 1979).
    Stuart Sperry, Keats the Poet (Princeton: Princeton University Press, 1973).
    Jack Stillinger, The Hoodwinking of Madeline (Urbana: University of Illinois Press, 1971).
    Stillinger, ed., Twentieth Century Interpretations of Keats's Odes (Englewood Cliffs, N.J.: Prentice-Hall, 1968).
    Studies in Romanticism, Keats: A Special Issue, 26 (Spring 1987).
    Studies in Romanticism, Keats and Politics: A Forum, 25 (Summer 1986).
    Helen Vendler, The Odes of John Keats (Cambridge, Mass.: Harvard University Press, 1983).
    Earl Wasserman, The Finer Tone, (Baltimore: Johns Hopkins University Press, 1953).
    Susan Wolfson, The Questioning Presence: Wordsworth, Keats, and the Interrogative Mode in Romantic Poetry (Ithaca, N.Y.: Cornell University Press, 1986).